Here's a picture of the first book of hers I read, co-authored by one of my favorite sailor/writer/publisher folk, Eddie Jones. It's a hoot.
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A Synop-what? – Cindy Sproles
Writing a synopsis is the most difficult part of writing a novel. Why? Primarily because we try to write the novel again rather than summarize it.
What is a synopsis? A synopsis is an abbreviated summary of the story. It should contain major characters, major plot points, conflict, a hook and how the story ends. Think of it as “Cliff notes.”
Writing a synopsis should not be hard. The story is already written (or should be). Well versed writers can whip out a synopsis on an unwritten story due to their extensive skill in plotting a story and knowing where and how they want their story to begin and end. But for the inexperienced writer, the new writer, a synopsis can be a pothole.
Start with the basics.
1) 1-2 pages in length
2) Single spaced
3) Written in 3rd person, narrative
4) Primary Character’s names CAPITALIZED AND BOLDED the first time they are introduced
5) 1” margins all around
6) Justify left
7) Author name and contact, agent contact, word count, genre information in a HEADER
8) Center the title, drop 4 lines (or hit enter 4 times) and begin
[box type="download"] * Start with a hook *
* Set up the conflict quickly
*Introduce most significant character first
*Highlight pivotal plot points that move the story
* Don’t explain the entire novel, just tell what happens.
*Reveal the ending
*Don’t interject long strings of dialogue[/box]
1 & 2) As a general rule, and remember…rules all have exceptions so you should ALWAYS check submission guidelines, a synopsis is 2 pages in length, single spaced. Depending on the novel or non-fiction book you are writing, this may vary. The rule of thumb for intense, heavily plotted and sub-plotted works is one synopsis page per 25 novel pages. However, most of us aren’t writing that type of book. So remember, the shorter the better. It shows you can write concise and sum up the story.
3) Most synopses are written In 3rd person, narrative, present tense. i.e. Mercy, the daughter of THE PASTOR and TILDA MAE ROLLER, stands on the river bank watching the Pastor baptize a crippled man. She listens as he rants the man’s sin then buries him under the water again and again, holding STANLEY FARMER beneath the icy current until he drowns. Church members try to stop the drowning but by the time they pull the Pastor off Stanley, it’s too late.
4) Main characters are capitalized and bolded at the first mention of their names. i.e. MERCY ROLLER was the daughter of a circuit riding pastor in mountains of Appalachia. Only bold and capitalize PRIMARY Characters as they enter into the story.
5 & 6) Set your margins 1 inch on all borders. Justify left. Do not center your paragraphs. However, double space between your paragraphs.
7) HEADERS…learn to use them. Microsoft Word allows you to set a header that will run continuously from page to page. It should contain your personal contact information on the left (name, address, email and phone numbers) , agent information on the right along with word count and genre. The center should have your last name a slash (/) and the title of your piece i.e. Stanley/Rushing Waters
John Stanley Stanley/Rushing Waters Lou Stowe, Agent
1011 Rock Road Stowe Agency
Booster, NV 37001 100 Main Street
8) Drop down four lines (or hit enter 4 times), center the word synopsis, double space and center your title.
9 - 12) Just like your novel, start with a hook. A synopsis is your “pitch.” Continue to think of that as you craft it. Sell your characters with their attributes, attitudes and motivations. Draw your reader into the summary and keep them there. Move through your novel picking key plot points and showing how the character works through them, the impact they make and their conflicts.
Agents, editors and Publishers need to know the route the story is going. They will read your synopsis long before they read the first page of a chapter. If they can’t get a good plot line, strong characters and conflict out of your synopsis, then they’ll toss it over their shoulder into the trash. It’s a hard fact, but it’s true. Writing is subjective and regardless what you write, if you cannot present a solid story that holds the reader, it won’t be published.
13) Don’t rewrite the novel. Here is where the skill comes into play. SUMMARIZE the most important parts of the story. Drop a line of dialogue in (but only if it’s valuable). SELL THE STORY.
14) Reveal the ending. This is no time to leave an editor hanging. They aren’t looking for the cliff hanger. They want to know how the story starts, how it moves and HOW IT ENDS.
15) Don’t interject long strings of dialogue. Only use dialogue if it is a changing point in the story. It must be IMPORTANT. Otherwise, remember, you’re the narrator telling the story, showing tempting bits of actions and making the reader hungry for more.
Every synopsis will vary. Every publisher and agent will require your synopsis to be tweaked to their guidelines. Before you write it be sure to do your research.
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Cindy Sproles is the co-founder and executive editor of Christian Devotions Ministries and www.christiandevotions.us. She is a popular speaker at women’s retreats and conferences and teaches at writers conferences across the nation. Cindy is the co-writer of the successful He Said, She Said devotions and is the co-host of the nationally syndicated BlogTalk Radio show, Christian Devotions Speak UP! She is a contributor to CBN.com and is the director of Writers ADVANCE! Boot Camp Writers Conference. Cindy is the author of two devotional/inspirational books, one with her co-writer Eddie Jones and the most recent, a solo book, New Sheets: Thirty Days to Refine You into the Woman You Can Be. You may visit Cindy at www.cindysproles.com or contact her for speaking engagements at email@example.com.